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    7 Lessons

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Overview

In this course where are you learning the proper basics of Indian classical music? Yes basically we are not only learning the basics of Indian classical vocals but we are learning the basics of Indian classical music as well. this is what makes this course more beneficial for learners that you are not only learning the basics but you are also getting practical knowledge and basics of Indian classical vocals. Here you are learning one primary Raga of Indian classical music and you are also learning half Bandish that is Sargam geet in the Raga. You are getting theoretical knowledge as well that's how you will get of basic concepts of Indian classical music. this course includes practical practice sessions which make you more and more perfect to perform. Indian classical music has a huge canvas of various performing formats, like vocal music, instrumental music, etc. So, We are here learning the specialized program of Indian classical vocals. In this program, we are going to learn the special skills of Indian classical vocals Experts and young teachers in this field

Here we are going to learn special skills. At first, we are going to learn how to throw and produce a good quality voice. Usually, we see that most of the time new students are unable to produce good, keen audio. And then they continue with that wrong modulation. Because of that even after knowing the content to Sing, they’re unable to sing fluently. We are pursuing those valuables or in our first few lessons so that we can call these classes at the masterclass. When we are going to learn how to practice so that you can use your voice throughout the octave fluently. On the other hand at the same time, we are going to start the syllabus of Indian classical vocals. At first, we are going to learn some Musical patterns called Palta or alankar. Which is the very fundamental thing in Indian classical music. We are not gonna only learn it but we are also going to learn that how to practice it correctly so that you will get very good results in the shortest time. We are not only going to learn the technique to practice it, But we are also getting one small practice session with our masters.

On the other hand at the same time while learning this practical portion we are going to know the basic definitions and basic terms of Indian classical music. We are not only getting to know about it But will also be getting to listen to the practical demonstration of the terms. 

After that, we are starting the main course that is we are learning the raga. We are starting with a very basic raga. That, At first, we are getting introduced to the notes that we are going to use in that raga. Then we’re not only going To know about it but also going to recite and practice it with the master.

Then you are gonna move on to the Bandish Part. Which is the part we usually perform on the stage. Bandish is just like a physical body and Alap notations are like the internal organs of the body. So at first, we are getting to learn the notations of the Bandish and we are also going to practice it with the master. On another hand, we are also learning the rhythmic cycle with which we are going to recite the bandish. We are not skipping its practice as well.

Now after completing these notations and learning the rhythmic cycle we are getting to set it in wording that is Bandish. Singing the Bandish is a very skillful job. But by this sorted and easiest way to teach it we are getting learned it fast. After learning the word action of the Bandish, we are going to practice it. Then we are going to the intermediate part of the presentation .that it’s the Alaap. We are getting to learn the shorter versions of the earth that is basic alaaps. After practicing basic Alaap we are moving I had to learn taans. Taan Is this where is the skillful part is very hard to perform. You need very high skills and perfect practice to recite a good taan. But here we are learning it in a very settled way. Our first learnings of Paltas Will be helpful to understand and recite taan.

After learning the taans We are going to practice the whole raga. That is from Aroh to taans .After practicing this raga we are going to start the second raga With the same format but with different skills.

Basic Requirement

  • Student must have basic tanpura app in mobile ( itabla pro of ios or any .), If there is a constant and tanpura that is well and good. One notebook is required to note down all definitions and details. If there is harmonium or any type of keyboard it will be more easy to understand.

Skills Covered

  • We will understand proper basics of music vocal music and specially of Indian classical music. From here you will be e prepared to learn Indian classical music and any type of music. basically you will be prepared to explore all Musical.

Expert Review

Indian classical music: 

How is Indian classical music different from Bollywood or Indian folk music? How can you listen to or play these instruments? Where can you try them? 

How would you describe Indian classical music?

Classical Indian music originated in South Asia and is now found around the globe. Its origins can be traced back over 6,000 years ago to sacred Vedic scriptures, where chants developed a system of musical notes and rhythmic cycles.

This is one way that Indian classical music is closely related to nature, drawing inspiration from natural phenomena such as seasons and times of day to create ragas, which are essentially musical moods; there are also many time cycles or taals that have been codified.

The compositions are fixed, but the music is largely improvised within the structure of notes and mathematics. It creates an atmosphere of spontaneity where every artist and performance is unique.

India has two distinct traditions, which are geographically separated into the north and the south. Their roots and concepts are similar, but their elaboration is beautifully contrasted and they use a variety of instruments.

There is a long tradition of oral transmission of Indian classical music, where the student would spend many years with their 'guru', developing a very special, spiritual bond, and imbibing not only the music but also philosophical and moral principles that would shape their lives in the future.

In modern times, Indian classical music is taught in many institutions and has been extensively documented and notated, but learning from observation, listening, and memory is still deemed the most effective way of learning.

Basic Vocal Singing (Hindustani) Modules :

1. The basic svaras

Singing requires hitting a svara accurately and sustaining it. Long steady svaras are used to practice pitch stability and breath control in this module. It is an excellent place to start for beginners.

2. Saptak

In this module, you will find ascending and descending melodic progressions through 7 shuddha (natural) svaras. The module can be used to improve the accuracy of singing shuddha (natural) svaras across an octave. Three different tempi (layas) improve pitch movement from one svara to another.

3. Basic Palte (slow & fast)

In this module, simple svara patterns are transposed and sung throughout the octave. The patterns will help you improve the accuracy and precision in moving from one svara to another. You will learn the svara patterns in slow tempo first. You will be able to master fast transitions between the svaras with the future lessons in a faster tempo.

4. Palte (slow & fast)

In this module, you will learn zig-zag-type svara patterns that allow you to achieve dexterity in complex svara movements. This module improves your svara accuracy, svara transitions (attack), svara pronunciation, as well as your ability to control your breath. 

 5. Advance palte

This module contains advanced svara patterns that allow you to practice complicated svara movements. You will improve your svara accuracy, svara transitions (attack), svara pronunciation, and breath control with this module. Additionally, practicing compelx svara patterns will enhance your musical memory and response time for a musical event. These lessons are fast-paced.

 6. Kharaj ka Riyaz

The lessons provide practice of mandra saptak, the lower octave svaras. These svaras should not be strained. Avoid straining your voice excessively. When you practice these lessons early in the morning, your voice will be more bassy with lower notes, and you will also be able to sing higher notes with greater ease.

 7. Saptak with different svaras

Apart from the Bilawal thaat, this module contains ascending and descending melodic progressions of svaras. You will be helped by this module in internalizing the differences between suddha and komal svaras in each lesson.

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